John Marshall is available for Workshops and special guest appearances.
to hear unedited NYC appearances go to smallsjazzclub.com ( -> archives)
John Marshall plays B&S-Trumpets and Flugelhorns exclusively b-and-s.com
John Marshall was born in Wantagh, NY in 1952. From 1971 to 1991, he worked and recorded with a long list of jazz greats. Buddy Rich, Mel Lewis, Lionel Hampton, Gerry Mulligan, Ornette Coleman, George Coleman, Buck Clayton, Mario Bauza and Dizzy Gillespie, to name only a few. Along the way, he constantly worked at perfecting his craft, studying with the great brass teacher Carmine Caruso as well as jazz trumpeter Lonnie Hillyer. He also led the Jazz quintet “The Bopera House” from 1987 to 1991, and stayed very busy as an in-demand studio player.
In 1992 the West German Radio-Television (WDR) Big Band in Cologne, Germany, made him an offer he couldn’t refuse and he moved his base of operations there, assuming the position of their principal jazz trumpet soloist. However, despite his busy schedule there, he still finds time to return to NY at least twice a year to perform and record. His most recent appearance there, along with tenor saxophonist Grant Stewart and drummer Leroy Williams was very favorably reviewed in Jazz Improv NY Magazine by none other than Ira Gitler.
John also leads an outstanding european quintet with Dutch tenor saxophonist Ferdinand Povel. Since 1996, John has released eight CDs as a leader or co-leader and several more as a specially featured guest. Meanwhile, his reputation has continued to grow through the many concerts and CDs of the WDR Big Band.
In 2008, the Patty Austin CD “Avant Gershwin”, won the grammy for best jazz vocal recording. Marshall is heard on the most lively number, „Lady Be Good“. Also in 2008, the title „In A Silent Way“, from the double CD „Brown Street“, recorded live at Vienna’s Birdland with Joe Zawinul and the WDR Big Band, won a grammy for Vince Mendoza’s arrangement for large jazz ensemble. This beautiful re-working of Joe’s classic ballad features John throughout. A brand new release that is already receiving great acclaim is Maceo Parker’s double CD „Roots And Grooves“, recorded live on tour with the WDR Big Band. Marshall is heard blowing on „Them That’s Got“ and „Advanced Funk“. His solos were singled out for praise in several american jazz magazines’ reviews of that CD.
with the Concertgebouw Jazz Orchestra
with the Concertgebouw Jazz Orchestra
with the Geraardsbergen Big Band led by Marc Gotfroid
John Marshall/Ferdinand Povel Quintett
John Marshall/Ferdinand Povel Quintet
with the Wolfgang Köhler Trio
with the Wolfgang Köhler Trio
with the Al Porcino Big Band
John Marshall Quartet
John Marshall Quintet featuring Grant Stewart
John Marshall Quintet featuring Grant Stewart
with the Bill Dobbins Trio
with the Bob Sneider Trio
Concerts with the WDR Big Band are not shown here. Please go to the WDR Big Band website.
All images by Zbigniew Lewandowski
Download High-Resolution Imageset (zip, 14.3 MB)
Quintet Of The Sly Old Foxes
At the end of the evening, one heard it again and again, "Man, was that good!"......Very seldom have the concert-goers been in such complete agreement..... The audience was thrilled by the crackling, nimble playing of five musicians, communicating so completely with another.
/Bernd Schwope, 08.04.2009, Hannoversche Allgemeine Zeitung
The Finest NY Jazz
That good old stuff is still around! The word had spread, that the performance in the Schmiede was to be the finale and high-point of their tour. What followed was a masterful exposition of modern jazz.
Barbara Steingiesser, Rheinischer Post, 19.10.2009
Masterfully Delivered Classics-John Marshall And Ferdinand Povel Let The Sparks Fly
Both of these first-class instrumentalists spun out their improvisations with impressive technique., sometimes together, sometimes alternating with each other.....Altogether. a concert at the very highest level, played by musicians perfectly complementing each other.
Kirstin Rickert, 02.02.2010, Mindener Tageblatt
A thoughtful, insightful player, Marshall has impressive technique and also offers sensitivity and feeling. On "Live At Le Pirate", recorded in Germany in April 2007. he proves his prowess on trumpet and flugelhorn, producing amazing extended phrases without a breath. His precise playing, consistently displaying a smooth, clean tone, sounds effortless.
/Laurel Gross, All About Jazz NY, January 2009
“Just as expected, we heard an evening of music that very convincingly carried on the bebop flame.”
“Ferdinand Povel showed us once again, with his masterful rendition of “Ghost Of A Chance”, that he still one of the very top tenor men anywhere.”
/Rüdiger Böttger, Jazz Podium (Germany) May 2008
“‘John Marshall Quintet Live At Le Pirate’ finds a beautifully-balanced mainstream quintet having fun at the gig. When I first heard John Marshall. at ‘The Garage’ in downtown New York City, he had his own style perfectly in place: boppish fluidity and harmonic sophistication with a decidedly old-school devotion to swinging melody, as if Clifford Brown and Buck Clayton had joined forces. Marshall has a lovely tone, his phrases seem fresh”
/Michael Steinman, Cadence, USA, Okt-Nov-Dec 2008
“The live recording offers us a typically first-class John Marshall performance that strongly conveys the great interaction between the musicians, and the sheer fun of playing together”
/Rüdiger Böttger, Jazz Podium (Germany) May 2008
“I could single out any number of fine solo performances, but it was the band′s consistent radiation of the joy of playing that kept me in rapt attention for two sets”
/Ira Gitler, Jazz Improv NY Magazine, February 2008
with the Concertgebouw Jazz Orchestra
live at the Bimhuis in Amsterdam, 03.02.2008
“I Was A Little Too Lonely” [mp3]
with the John Marshall NY All-Star Quintet
live at the Schmiede in Düsseldorf, 17.10.2009